Aesthetics of Globalization in Contemporary Fiction: The Function of the fall of the Berlin Wall in Zadie Smith's White Teeth (2000), Nicholas Royle's Counterparts (1996), and Philip Hensher's Pleasured (1998)

Challakere, Padmaja

doi:10.1353/tae.2007.0037

Aesthetics of Globalization in Contemporary Fiction: The Function of the fall of the Berlin Wall in Zadie Smith's White Teeth (2000), Nicholas Royle's Counterparts (1996), and Philip Hensher's Pleasured (1998)

Padmaja Challakere

NobleIDNI5P66W60R92S99

Type:Journal Article

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Aesthetics of Globalization in Contemporary Fiction: The Function of the fall of the Berlin Wall in Zadie Smith's White Teeth (2000), Nicholas Royle's Counterparts (1996), and Philip Hensher's Pleasured (1998) | NobleID